Final cut pro macbook air12/11/2023 Thought I should write a review, firstly because we use FCPX for all projects now at our studio having used FCP 4/5/6/7 Premiere, Avid and even Media 100 a long time ago. A really good tool and highly recommended. However, I bought it because I prefer it over the other NLEs, would buy it again given the choice and love the sheer speed advantage once I was up and running. I use additional tools for more advanced support such as cleaning up sound which is pretty standard and have other tools to assist visuals such as Motion etc… However, if it is good enough for the BBC’s news desk, it is good enough for me and allows me to me extremely productive and put in place my crazy ideas for my customers.Īs professional tools go, I really enjoy using it although like any NLE there is the occasional blip. As a working professional, I appreciate a tool which is super-fast, easy to use (although there is a learning curve) and allows me to produce work for my customers which is beautifully made. Today, it works beautifully to the point I am editing natively in RAW (Cinema DNG). I used the previous incarnation (FCP 7) and competitor products PP, Avid etc… and when FCPX initially came out, it was a disaster. Blu-ray recorder required for burning Blu-ray discs. Some features require Internet access fees may apply. System Requirements: macOS 12.6 or later, 4GB of RAM (8GB recommended for 4K editing, 3D titles and 360° video editing), Metal-capable graphics card, 1GB of VRAM recommended for 4K editing, 3D titles and 360° video editing, 5.5GB of available disk space. ![]() Import and export XML for third-party workflows like colour grading and sound mixing.Export audio stems and multiple versions of a finished video using roles metadata.Incredibly fast export for playback on Apple devices and upload to websites such as Vimeo and YouTube.Accurately view HDR on the MacBook Pro and Pro Display XDR.Powerful colour wheels and curves for precise adjustments with keying and masks.Import, edit and deliver video in standard colour spaces, or in Rec.Sync video with separate audio in a single step with instant audio waveform matching. ![]()
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